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secret city knitting place in Edinburgh

There is a little secluded place in Edinburgh that I have always liked to go – to walk, to sit and knit and to take stock.
I will tell you, but don’t run and tell everyone, or it won’t be secluded any more!

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Dunbar’s Close Gardens, squirrelled away down the Canongate, is a Burghal garden, created by Sir Patrick Geddes (1854-1932) and kept by City of Edinburgh Council.

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The garden – standing on the site of an oyster cellar, once upon a time – was given a face lift in the late 70s to look fittingly like a how a 17th c close garden would’ve been landscaped.

I love that it’s so secret, many locals have never heard of it, though will have probably walked passed it many times.
Most times I have visited I have been lucky to have the place to myself. It’s just a little gem of Edinburgh off the tourist track.

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If you do drop in for a spot of city seclusion also pop into the Canongate Kirkyard and seek out some of the famous inhabitants, such as Adam Smith, Robert Fergusson and Davis Rizzio, the lover of Mary, Queen of Scots!
There are great views too.

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episode 8 and all of the woolly people are so so lovely

UPDATE: Due to space I can no longer host the audio files on the blog, please use your favourite podcatcher, or right click the podgen link to open the podcast episode in a new window: Podgen

Preview on Spotify

Yes, this month’s podcast is a little early, but my holiday falls on the broadcast day!

In this episode there is not the yarn reviews I promised last time – given time restraints in bringing the podcast forward –  or any cast off/cast ons, but  I am bringing you  lovely content, if I do say so myself!

(Apologies for rough-around-edges editing – I edited for coughs, but only lightly edited for “umms”)

This episode will be available on iTunes soon

  • WoolFest is next Friday & Saturday (27-28th) and if you haven’t been before I have  a tip or two for you.
  • If you are at Woolfest, you’ll be lucky to see a whole host of stalls, but seek out Yarn Garden for their new British base yarns in Teeswater and BFL – listen to my interview with George. The Teesdale yarns – Teeswater fingerling lace100g and BFL 4ply 100g cost £20 each and will wow Woolfest (meterage tbc). Do check out their website for more astonishing colours and lovely yarns.
  • News: Fellow podcaster and British wool lover KnitSpinCake is opening a wool shop!
  • Woolly people are so so lovely
  • Winner of the Artesano Blue Face Blend is announced and the random generator selected Charly, well done!#
  • The music is Djangoarias by John Gilliat  and you can find it at musicalley.com

 

Delightful Teeswater from Yarn Garden. but click on pic for more from their shop!)

Delightful Teeswater from Yarn Garden. but click on pic for more from their shop!)

 

The Podcat is back this time too

The Podcat is back this time too, but was too lazy to be helpful

On your marks, get set, crawl!

Just a reminder that tomorrow is Edinburgh’s first ever yarn crawl, have you got your yarn passports?

 

The crawl was organised by Jess from Ginger Twist Studios, Kathy from Kathy’s Knits and Mei from Be Inspired Fibres and it is so exciting that it is the first of its kind in Edinburgh.

Get your Yarn Passport from the participating wool shops and get it validated at each shop on your journey through the city. There is a secret selection or goodies and discounts available at each shop for all participants, just flash your yarn passport. Do you accept the challenge?

I guarantee that you will have a fantastic time in these shops and meeting these lovely ladies and to top it all off there will be a designer in residence at the crawl! Susan Crawford will be at GTS with her fantastic new yarn Fenella (I have my hands on some lovely skeins and will be shouting about it on KnitBritish soon) and Susan will be signing books too.

There is even an after crawl party at the Safari Lounge, Cadzow Place, where you can win the Indie burgh raffle!

I will be with you lot in spirit and can’t wait to see what you all buy! Have a fantastic day out.

 

kept in the loop

I was really pleased to hear this week that there will be another In The Loop conference next year. I attended INL 3.5 last year in Shetland and it was hugely enjoyable and immensely inspirational.

For those of you who are not aware of In The Loop then you also may be unaware of the Knitting Reference Library at the University of Southhampton, who organise the conferences. The events offer an opportunity to look at knitting and crochet from a wide amount of approaches and many of the speakers – artists, knitters, academics, designers, etc – have conduted their research using the amazing collections at the Knitting Reference Library.

Deryn Relph at INL3.5

Deryn Relph at INL3.5, Shetland Museum and Archives.

The library’s catalogue includes the published collections of Richard Rutt, Montse Stanley and Jane Waller – which take the form of  books, exhibition catalogues, knitting patterns, journals and magazines –  as well as knitted items. The library also holds copies of contemporary knitting pattern books, designs and stich dicitonaries.

The earliest items in the collection are from the 1840s and comprise of Victorian knitting manuals from the collection of Richard Rutt. These are available to view online and I must admit I can fall into a bit of a hole looking at them. If you haven’t seen them before, do have a look at them; in particular Jane Gaugain’s Lady’s Assistant and other knitting manuals.  Mrs Jane Gaugain was an Edinburgh knitter, who owned a haberdashery on George Street. She was writing and working at a time where knitting was beginning to move away from necessity for income, to something one did for pleasure. Kate Davies wrote a brilliant essay on her for Twist Collective and you should read to find out more about this fascinating knit pioneer.

Instructions in the knitting manuals can range from the very simple, written out in sentence form, while in later manuals patterns take more of a familiar shape – I urge you to have a wee look if you are interested at all in knitting history. My favourite thing about these books are not really the patterns, but the prefaces and the ideas surrounding knitting and textile work of the time.

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In The Loop 4 is proposed for August 2o15 in Glasgow and you can be sure I will be eager to attend! Do sign up for the Knitting Reference Library mailing list to keep yourselves in the loop.

episode 7: twitterpation

This episode should be subtitled,” ….but I digress!”

UPDATE: Due to space I can no longer host the audio files on the blog, please use your favourite podcatcher, or right click the podgen link to open the podcast episode in a new window: Podgen

Welcome along on episode 7 of the Knit British podcast.

 

You can also listen on iTunes!

  • What does the Shetland knitting term rissie geng mean? Are there any knitting terms that have  regional/dialect variations where you live? I’d love to hear them and we can have a regular feature
  • Yarn give away: Sadly Artesano have discontinued the British range. I have 2 skeins of British Blue faced blend, in Beryl,  to give away. Leave a comment on this post telling me which discontinued yarn you miss and I will announce the winner next episode.
  • Keep in touch – I have changed my twitter handle to @Knit_British, Leira on Ravelry and you can comment here or say hello via the contact page!

 

Click on the pictures for larger image. Please remember all pictures belong to me!

Wee Highland Fling

I had a very short dalliance with the Highlands this weekend.

The Highland Wool Festival has firmly been penned on my calendar since Helen, of Ripples Crafts, tweeted about it last year.

The festival was held at the marts in Dingwall and it is just pure fate that my good friend (and once landlady) lives a stones throw away. What an opportunity to seek out wool as well as blether a-plenty?
It was also the perfect opportunity to eventually meet some of the people I’ve been tweeting with for yonks.

When I arrived on Friday morning my pal met me at Inverness Airport and we whisked off for a lovely coffee before a really lovely drive around Loch Ness* side. We *were* looking for the wee beach at Dores but ended going much further on a wee adventure. Cue lots of lovely, scenic winding roads which were absolutely ablaze with colour and growth – broom, blossom, bluebells galore!

When our stomachs got the better of us we made our way to the Dores Inn – what a bustling place with lots of customers and charm, a sign of good food I’d say. We found the wee beach eventually and walked off our lunch while taking in the loveliness of a Loch Ness.

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Saturday saw the first ever Highland Wool Festival and I was really excited to attend. For the past few weeks I had kept up my mantra of, “you don’t really need wool” and, to a degree, stuck to that.

I’ll discuss the day in the next podcast, but it was particularly nice to meet Louise Hunt, from Caithness Craft Collective, her lovely wee ones and her fantastic mum! I also got to meet again the lovely Kelly, who some will remember as doing the Charminglochie podcast, she was helping her mum man the Cairngorm Bags stand (and I might have just bought something for the Caithness Craft project bag swap). It was also great to talk to Helen from Ripples Crafts too, a very lovely lady and a very talented one too – her stall was very well attended. I also said hello and met the lovely Louise and George from Yarn Garden, we had a lovely chat for a future podcast too.

I will speak about purchases and things on the next podcast (hopefully up at the weekend) but I truly had a great day chatting to people and stall holders. I didn’t spend *much*, but I really enjoyed the day and I really hope there will be a second Highland Wool Festival: the organisers did a top notch job, big well done to absolutely everyone involved.

After the fun at the Marts, I went back to my pals house at Conon, where we actually lounged in the sun (20 degrees!) and watched a Red Kite soaring after his supper. An amazing weekend, in all!

* we did not see Nessie.

knitting the journey: 2

This is the Mezquita shawl. This was the first time I knit anything with holes where there were meant to be holes. This was my first shawl and it was the first time I wrestled with blocking anything bigger than a hat!

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For about three years I had learned stitches, I had knit scarves, hats, cowls, wristies…even made up a pattern or two. I was also beginning to feel like I had begun to near the surface of that deep hole. Behind me was a lot of hard work, counselling, medication, learning to forgive and realising that you don’t need to forget, but you can lessen how raw it is to remember.

I had gone back to Uni and, living with my best friend who had gone through a similar situation, I was finding camaraderie  and even humour in what I had been through. I had come to realise that I was pressing on.

Not only was I utilising the tools that I had learned on my journey I was really keen to go further in my knitting too.

As I learned to assess potentially worrying situations rather than hide from them, I also learned to read (and re-read) patterns before casting on. Too many times before – with patterns and with situations – I’d either run off at a gallop and miss the finer points, or avoid it all together thinking I couldn’t deal with it.

I learned that I had to go back along my lifeline and tackle some people and issues that I had either run from or not dealt with sufficiently in the past. So too did I learn the importance of realising when you have made a mistake and knowing whether it can be rectified or abandoned. Many times I could start again, other times I turned a new page in the pattern book and saved my precious yarn for another special project.

I learned how to block (hmmm! I always feel that blocking is a learning curve!) I learned that wool grows in a way you don’t really expect and that it is malleable. I realised that while I had felt so low, so lost and so deeply packed into the bottom of that hole, I had taken those experiences – pinned out all those sharp points  – and I could look at what I had achieved.

The Mezquita shawl was knit in Artesano Inca Mist  This was the first time that I knit with a yarn that wasn’t sheep wool based; baby alpaca, soft as kittens, gliding through my fingers, in-around–through-off. It was the first time I spent a bit more on my wool, the first time I thought about the yarn and the garment in connection to my senses and the first time I was knitting an item that I really wanted to look beautiful and be eye-catching. I was opening up to the idea that I was allowed and deserved lovely things (…cue thelovelyfella soon after that)

Knitting is a form of therapy and can be a life-line in times of crisis, frustration, anxiety and in challenging times. I think often of that first ball of acrylic and every time I use my first pair of needles I think of why I bought them. I think of how far I have come since buying them, the things I have lost, but also the things I have learned  – so wide and myriad, both practical and emotional.

I am not writing this to say that knitting was the cure; I needed support, counselling, medication and lots and lots of time during that deep bout. Neither do I mean to say that knitting saw off depression for good -far from it! but I do feel now that when I start to see the Black Dog at the corner of my eye I feel better equipped to kick its arse. 

Truth be told, my anxiety and I haven’t been the best of friends recently and each time I have had to reach for the Rescue Remedy, medication or  take some deep cleansing breaths there is the need to knit soon after –  just a row or two to focus and steady.

I have mentioned that lovely book Knitting yarns and my favourite essay is Barbara Kingsolver’s Where it Begins (you can read it via the link, but I highly recommend the book) -She is dead right; knitting needles are my oars, steering through life’s waters with a lifeboat of yarn.

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I still wear Mezquita and wear it with pride. I was very conscious when I was knitting this item that I was knitting my butterfly wings.

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Thank you to the lovely @KatySwiftKnit for making me aware that this week Is Mental Health Awareness Week (12th-18th May). This year their focus is to make people aware about anxiety; to understand, manage and overcome the anxiety which can impact on our daily lives.

Anxiety can be debilitating, it can floor you, it can take you far away from your comfort zone within seconds and an attack can last over half an hour, leaving you exhausted for hours afterwards. With anxiety can come tension headaches, muscle pain and tensing, dizziness, nausea, racing heart and breathlessness. If you suffer from anxiety, do see a doctor or seek advice, there is a lot of support and assistance out there.

Please visit the Mental Health Awareness website for helpful information and find out if there are any events in your area.

 

 

knitting the journey: 1

Earlier this week I wrote about how knitting can be a useful activity when you are trying to quit smoking. The driving force behind writing that post came from thinking about this one, really… how that action of in-around-through-off; steering yarn around the needles can provide focus when distraction is rife and can bring calm to chaos.

Listeners to the KnitBritish podcast might remember my review of Knitting Yarns: Writers on Knitting, compiled by Ann Hood and how many of the contributers wrote of how knitting assisted them through so many of life’s ups and downs and how learning to knit – though providing its own challenges – can have “healing powers”. Ever since reading this book these ideas have been swimming around my head, confirming and making me evaluate what I have always known myself, through my own experiences and ruminating on a blog post.  I say ruminating, as although I do write-from-the-heart-and-shoot-from-the-hip, I do find it hard to tackle some personal topics. 

Knitting came into my life when I was in quite a dark place.  I had just come to the realisation (for realisation read breakdown) that I was suffering from depression –  I hadn’t dealt with my grief following my dad’s death and also due to the fact that  I was dealing with VERY unwanted attention from someone, I also – in my infinite wisdom – decided to give up smoking. (phew! how was that for opening up?!)

Looking back, I was definitely punishing myself with giving up smoking. I was in the bottom of a deep hole and wanted to replace all the things I felt were happening to me, with something I could self-inflict. Do you understand what I mean by that? I felt I needed to bring some other kind of pain on myself that I could control. It wasn’t right…and consequently, of course, I didn’t kick the habit that time because I could punish myself more when I gave into the cravings.

My first piece of knitting from this time was truly woeful – I knit better as a child, before I let it lapse! As I explained in the last post, I had bought some purple acrylic and 4mm long needles and I hadn’t gone into the shop to get these, but I knew on some level that I needed to buy them. I needed to try something, Having spent a good deal of time remembering how to cast on, I began to knit. I wasn’t fooling myself, I wasn’t attempting to knit a garment. I just wanted to knit.

For about 2 weeks the knitting sat in the arm of my chair and every ill thought, every pinch of fear, every moment of uncertainty, every rise of panic there was a stitch made: my stress and anxiety were in those first attempts and it was evident from my tension. Some rows I could barely get the needle in the stitch, it was so tight around the needle. Other stitches were so loose and rows so miserably knit that the loops gaped. I was completely and utterly frustrated by what I was going through and also at my lack of knitting skills. Whatever I was knitting was becoming curved on one edge, much to my annoyance, and after asking my mum why we realised I was knitting into the back of the last stitch!  I couldn’t even bloody knit straight! I decided I would cast off and start again and then I cried for hours when I realised I couldn’t remember to cast off.

It could have been so easy to not bother any more but, like I said, I knew I needed it, I was seeing a doctor and waiting to see a counsellor; although I felt my problems were far from over I knew they were somewhat in hand. What wasn’t quite in hand was the ordering of my thoughts and I felt I had no focus. I could have no thoughts and I could have a million. I knew I needed something to train my thoughts on. I knit scraps of garter, stockinette and rib;  I cast off and on and threw away mistakes too quickly, not realising there was a certain (eventual) satisfaction from learning from one’s mistakes.

I didn’t realise that there was a huge knitting community, In the early stages I was just knitting to knit. I didn’t even tell anyone that I had learned to knit. It was my secret solitude…In-around-through-off…steady stitches for steadying thought. I never thought I could knit to make something useful at that point. but as my mind calmed with that in-around-through-off and as I began to focus on my time by the the reassuring click of needles, I started to wonder if I could do more. A colleague told me about Ravelry and my eyes were opened to putting my new skills into making something that I might be able to actually wear…

…And that forms part of the second part of knitting my journey.  

I said earlier that I was ruminating on this post and It was the comments on the Stub it out and Cast it on post that helped give me the nudge to write it, particularly Jackie’s comment;  

Knitting can help you through all sorts of things, for me it was the thread/yarn that kept me connected to the world when I was in the deepest darkest well of depression, I’d even go so far as to say it cured me, but it’s probably safer to say that knitting allowed me to own my depression, rather than to have it own me.

This is the kind of function that knitting can serve – a life line, an honest-to-goodness anchor when everything else is in flux – and I guess that is why I get inordinately soap-boxy when the media  relegate knitting to grannie stereotypes and celeb fads.

 

Knitting can get you through.