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hapalong prizes

There are 94 finished objects in the Hapalong KAL and this number is growing each day. With over a month left to go in the KAL I thought It was high time that I started to show you the PRIZES!

Prizes will be drawn from the finished object thread which were cast on from 10th April and cast off by 12th July. Some winners will be randomly drawn, but I may also choose a winner myself.

Let’s have a look at the prizes which have been donated. Read More

Yarn Stories

Yarn Stories is a British company spinning yarn in a historic mill in Yorkshire. Producing merino and alpaca yarns in various weights, at Yarn Stories they believe that a great yarn is nothing without a great design. By collaborating with designers such as Carol Feller, Katya Frankel, Jane Crowfoot, Sasha Kagan and Tanis Gray, Yarn Stories bring you patterns and collections designed with their yarn.

Annabelle Hill from Yarn Stories dropped by to chat about the company, the importance of British textile heritage and the inspiring design collaborations.

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Tell us about the background of Yarn Stories

Yarn Stories was developed by the team at Spectrum Yarns over a period of 18 months from the beginning of 2013 and launched at The Knitting and Stitching show 2014 in London.

We took our time to get the yarn right by working closely with designers and knitters/crocheters and the spinners in our mill to find out what makes a good yarn and what kind of premium yarn they most desired. 

Our mill has been operating for many years producing premium yarns for high-end suiting, the kind you will find in Saville Row tailors. For us it was about getting the yarn right but we decided right at the start that we wanted to involve designers in every part of the process and create a brand that related and responded to knitters and crocheters in a new way.

We did reach out to the design community very early on to get their input. We couldn’t tell them much about the project but they were very generous with their time and encouragement. The designer collaborations are a vital part of our brand because we respect their work so much and we wanted to support the design community.

The merino comes from Australia and yet you have kept that process here in Britain. The spinning heritage of the UK seems to be very important to your yarn.

Worsted yarn spinning started in West Yorkshire over 200 years ago. The knowledge and experience gained since that time has been passed down the generations. Choosing the best raw materials and blending, dyeing and processing those materials to create a yarn that not only looks and feels good but produces a product that will showcase a crafter’s skill is dependent upon the disciplined application of our knowledge.

Is your merino from a non-mulesed supply?

We buy the best Merino fibre from reliable sources where animal husbandry is a key priority.  We have no specific information but understand that if it is considered necessary to mules a sheep then local anesthetics are used; the alternatives are far worse.

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Knitting heritage is also something that seems important to you; you launched the Knitting and Crochet Guild design competition recently; how has this been going? 

It is very exciting. The first time we visited the archive we were struck by the enormity of what this small group of volunteers are trying to do – to protect our knitting and crochet heritage for future generations. It’s not just about publicising their work but we wanted to do something practical, to give them a revenue stream that would go just a small way to help secure a wonderful resource for everyone.

The design collaborations at Yarn Stories have you working with well-known designers and others who are just beginning their journey as designers to create single patterns and collections. Can you talk a little about that relationship?

We send our mood boards and colour palettes for each season to a group of carefully selected designers. We also give them a clear indication of the kind of garments and accessories we are looking for. When all the sketches and swatches are in we work as a team to choose an exciting range of designs that reflect our brand and that work together as a collection. We are always on the lookout for emerging new talent as well. We also keep in regular contact with our designers so they can see how our brand is evolving. It’s really important to us that they feel a part of what we are doing.

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Can you say anything about upcoming designs or collections?

Our next two collections for spring and summer are called Marine, which is inspired by the sea and the textures you find around the shore line in blues greens and neutral colours; and Skylark, which taps in to the botanicals trend that is sweeping the fashion industry, featuring bold florals and intricate colour combinations. We have also just launched a collection of children’s designs by renowned designer Sue Batley Kyle. This collection is called Drift.

Do you have plans to add more hand-knitting yarns to the range, or other wool contents….maybe some British wool or British-bred fibre? (she asks hopefully!)

We will always be looking at new yarns to add to the collection but we will take our time to get it right just as we have with our first qualities. We would love to be able to produce a truly British yarn, but that’s all I can say at the moment.

Thanks so much to Annabelle. If you are interested in entering the Yarn Stories Design Competition, in conjunction by the Knitting and Crochet Guild, you can find out all the details here. The closing date is June 4th!

All images are courtesy of Yarn Stories and are reproduced with kind permission.

 

 

|In the interests of full disclosure I was asked to review Yarn Stories yarn. As the company cannot confirm that the merino isn’t from mulesed stock I have decided against this review.

#Hapalonghangout gallery

A couple of weeks ago those of us taking part in the hapalong had a social media hangout and I promised that I would share some instagram images that used the hashtag #hapalonghangout.  

With over 400 projects in this KAL some knitters are on their second and even third haps now. It pleases me no end to see such pleasurable hap knitting going on in the KAL. Check out the hashtags #Hapalong and #Hapalonghangout on Twitter and IG for more great haps!

https://instagram.com/p/2gzTH4llcJ/?taken-by=louisepants

I love Louise’s delicious yarn for her Hap for Harriet!

This is Deb’s second hap and…..

…Happy Debs is now on Hap 3!

Abby was finishing her hap at the hangout

Look at Deb’s Handspun British Northmavine!

One of our crocheters in the Hapalong. Great colour!

I love the tweedy flecks in Tink Hickman’s hap

Wine, or any beverage, was important to the hangout!

One of my favourite images from the hangout. Great Flukra, Isa!

…But the hapalonghangout was too much for some

episode 30: Jamieson’s of Shetland

In this special episode I go to Jamieson’s of Shetland to their newly refurbished Lerwick store, to chat with owner Garry Jamieson and Lizzie Ratter, who oversees the running of the Lerwick shop.

Jamieson’s of Shetland (different to and separate from Jamieson and Smith, (but just as woolly!)) have been a family-run business specialising in Shetland wool for over five generations. The business was started in the 1890s in Sandness, Shetland, when Robert Jamieson bought and sold knitwear in his shop. Robert’s son, Andrew, began a wool brokers and shipped the clip to the mainland to be processed. The business was expanded in the 50s to incorporate a retail shop and the knitwear business. In the late 70s it was Garry’s grandfather, Bertie, and father, Peter, who took on the challenge of setting up Shetland’s only commercial woollen mill and for the first time 100% Shetland wool yarn was produced in Shetland.  Read More

What is your cost of making?

I keep seeing fantastic posts on twitter and Instagram of people showing their handmade wardrobes off for #MeMadeMay. It is so wonderful to see another social media spotlight emphasising – and EMPOWERING – makers to create their own clothing.

We all have different needs when it comes to creating items for ourselves and with that comes other issues, such as materials and cost.  I write this coming to the table with a whole heap of privilege but also I began knitting when I had roughly £1 per day to live on. My first yarn was Paton’s fab, which cost 99p – at that time, that was a large part of my weekly budget. This is why I strive to show you a good range for wool for a good range of prices. 

A couple of months ago I had a comment from someone who had stumbled on one of my posts featuring British wool yarns. They had perhaps misread my post as they seemed to think I was advocating spending £100 on wool for a sweater. Ever since I started KnitBritish I have had people tell me that they think British wool is too expensive and I’ve tried to show that there is an affordable UK wool for each pocket.

“Affordable” is a word that doesn’t mean the same as it did five, 10 or 15 years or even 20 years ago. I think the boundaries of what is deemed affordable have shifted – some people have more income for their craft and a great many others do not. (This particular post featured wool from £3-£8). If you have £100 to spend on sweater quantities of yarn I can hook you up, but I’d rather try to break that myth about British wool being too expensive.

I have written on this topic before, but that comment has made me think, what is the real the cost of making to the knitter? And also, what is the kind of quality we are looking for, for less money? The commenter seemed to be looking for great wool yarn quality but for little cost and that is rarely going to happen.

A sweater pattern + enough suitable yarn for your project + all the hours and effort you will spend knitting = a long lasting, quality handmade item made just for you (or whoever you are knitting for).

What price would you put this at? I am really interested to know.

For me, it is the long lasting part that is most important (ensuring there is enough yarn too!) I want a yarn that is going to look great and an item that will keep on looking great, I probably think about cost after I think about what I want the wool to do. Not that I knit with wild abandon – far from it – I still look for a wool that can do those things without hurting the pocket too much.

It does annoy me that some people think yarn should be dirt cheap and don’t think about the cost involved with getting that ball of yarn from sheep to shop – the price the farmer gets for the fleece offset against their costs of shearing would be enough to make you weep! These are probably the same people who quibble over the price difference between a spud that’s come from Cyprus and one that came from down the road – for a few pennies more wouldn’t you like to support your local suppliers and get a product with a little conscience? Also what gives when you choose the cheapest produce is often quality!

I’m not going to go full on rant mode here and a lot of that is another post for another day, but while we are all here let’s do a few sums.

Using the (awesome) StashBot app (£3.99), by Hannah Fettig, let’s imagine we are going to knit an average length sweater, to fit someone with a 107cm/42 inch chest. We will be using a DK yarn. 

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We’re going to need around 1240 meters of yarn and, because it is KnitBritish, I am looking at British wool companies. These are all yarns that I happened to have used too.

I haven’t spent a great deal of time on this and obviously there are far more yarns out there – I’m not going to go into wool choices, swatches, fibre contents, etc, etc. This is merely a snapshot of what is available for our hypothetical DK sweater – from man-made fibre to pure wool –  and the total cost of the sweater.

*Prices are based on my searching today and can, of course, change.

 

Yarn Name

per ball*

Fibre Content

per sweater*

Marriner DK with British wool

100g/283m            £1.50

75% Acrylic, 25% wool

500g/1415m – £7.50

WYS Aire Valley DK

100g/230m            £4.75

75% Wool, 25% Nylon

600g/1380m – £28.50

New Lanark DK

50g/120m              £3.50

100% wool

550g/1320m – £38.50

Wendy Ramsdale

50g / 112m            £3.99

100% wool

600g/1344m – £47.88

Blacker Classic DK

50g / 110m            £4.00

100% wool

600g/1320m – £48.00

Jamiesons of Sheland DK

25g/75m                £2.90

100% wool

425g/1275m – £49.00

King Cole Masham DK

50g/105m              £4.25

100% wool

600g/1260m – £51.00

Excelana DK

50g/119m              £5.40

70% Exmoor Blueface

30% BFL

550g/1309m – £59.40

You don’t need to spend £70-100 on yarn for a sweater – there is a lot of choice out there and while there are different price ranges I think it is fair to say that for this sweater we are looking at around £40 plus on average yarn spend. Again, this is based on a me-sized-type-person who need a few more rows knitted all around than what is deemed “the average sized person” (ANOTHER post for another day!) in other words these aren’t the minimum quantities and costs for the smallest sizes.

In that list there are yarn companies that you expect to see cheaper commercially produced yarns from – does it surprise you that you can make sweater in Jamiesons of Shetland for less than you can in a yarn from King Cole? 

I included the Marriner there as an example of one of the cheapest yarns, rather than on it’s merits as a adult garment yarn (having used it myself and found it wanting) but would you choose it on it’s value for money over it’s value as a suitable yarn? 

Lots of questions and lots of perhaps-es and I’m not saying that the answers would be right or wrong, but I would be interested to know what you think. I know that knitters and makers are a vastly different lot. At one end of the spectrum we have some of us who just knit for hobbies, have never heard of Ravelry and don’t pick up a WIP from one month (or year)  to the next or worry about the wool they use. At the other end we have knitters who knit with a big K – wool and knitting are a lifestyle and we have the stashes to prove it. 

Personally, I think those costs up there are more than acceptable – you simply couldn’t pay less for a sweater in a shop with the same wool content, amount of hours, effort of making and attention to detail…and you certainly can’t put a price on the satisfaction of having made it yourself.

If you are knitting in British wool you may even have the advantage of knowing the breed/s you are knitting with and could even be helping to keep that breed going by spending the money on the yarn for your sweater. It’s a privilege to look at my handmade wardrobe and know the breeds and something of the provenance of that yarn and that is a cost that you can’t really add up!

 

| Important Information

The prices here were correct at time of writing post in 2015

episode 29 – baby princess woollen watch

UPDATE: Due to space I can no longer host the audio files on the blog, please use your favourite podcatcher or right click the Podgen link below, to listen in a new tab (y’know, so you can also refer to the shownotes whilst you listen!)

If you’re like me you may be a bit fatigued with baby princess woollen watch and a bit General Election-ed out. Let’s grab a cuppa and a WIP instead!

You can also listen on iTunes, any podcatcher and my Podgen page

| NEWS

BritYarn is a REALLY exciting new online wool shop, run by Isla Davison, which will be opening it’s doors on 2nd June. I am SO excited about BritYarn as Isla is utterly committed to sourcing and stocking 

Not only will Isla be stocking fantastic yarns – from Jamieson and Smith, Wensleydale Longwool Sheep Shop to Blacker Yarns and from dyers such as Eden Cottage Yarns and Yarns From The Plain – she also has patterns by UK based designers, such as Karie Westermann! You can bet you will hear more about BritYarn right here on KB and I send Isla so many congratulations on her new venture!

brityarn

Yarn Stories Design Competition launched recently. Inspired by the Knitting and Crochet Guild archive, which has patterns and samples dating to 1830s, they have set up a pinterest board of inspiration from the archive. They are asking you to design 15 cm DK squares using the pins as your muse. You can find out all the details here. The closing date for getting your squares in is 4th June and once short-listed the finalists will be chosen by the public. 

Highland Wool Fest IS happening this year, after all! Given there has been no chat and little promotion of the event I didn’t think it was happening. At the time of recording there were no exhibitors on the website, but there is a list there now. There is a great mixture of stall holders, including Helen from Ripples Crafts and Louise and George from Yarn Garden. It is happening at the Dingwall Mart on 23rd May and you can find out the details at www.highlandwoolfestival.com

Louise cubed at Highland Wool Fest

Louise cubed at Highland Wool Fest 2014, with Louise Hunt

| HAP CHAT!

This is such a happy and friendly KAL and when I went away for the weekend the hap chat thread in the KnitBritish Ravelry group burst over 3000 posts!  I am knitting hansel by Gudrun Johnston and I am STILL decreasing the central panel, but truly loving the pattern. Whilst away at the weekend I cast on another hap (probably an Aeslight or Simmer Dim) in YarnPony yarn. As well as chat there have been great hap tweets, IGs and post from happers, such as Ella Gordon on her gorgeous half hansel (featuring J&S FC38…yum!)

We’ll be having another #Hapalonghangout on Sunday 10th from 7-9pm (UK time) on Twitter and IG. Post using the hashtags and follow the chat. I may also use images that use the #hapalonghangout tag on instagram in a Hap gallery post here on the website. The Ravelry group will of course will be open for chat if you don’t do social media.

Yarn Pony merino - a special yarn dyed by Mica Koehlmos, but sadly no longer available

Yarn Pony merino – a special yarn dyed by Mica Koehlmos, but sadly no longer available

 

|Make It Fit

You may have heard myself and my podcasting mucker Jo Milmine mention this before. We are going to curate a series of posts which empower knitters to knit garments to fit. I know there are lots of knitters who avoid knitting sweaters because issues like measuring, ease, shaping, gauge, body shape can be things to dread. We want to look at each stage of the process and learn together what it takes to create a garment that is made for our own size, (and no one else’s!) – what could be more wonderful? There will be more information coming soon including a mailing list so that you can keep updated with all the MakeItFit posts, but meantime if you want to get in touch

| KnitLocal

This week comes from LauraSue in the Ravelry group who talks about her corner of the US in North Carolina and the plethora of breeds and woolwork going on there. Thanks to you, LauraSue!

| Next time

You’ll note the omission of the Jamieson of Shetland interview I promised last time, but I am going to give it it’s very own episode next week, so come back then and thanks for listening!

 

Information

opening music From My Fingertips by Boscobell. Pattycake Happy by Marina Z and Ana both available from Noisetrade.com